Dining on Salt:
Four Seasons of Septets

(Cornerstone Press, coming April 15, 2025)

Dining on Salt: Four Seasons of Septets is a hybrid memoir in verse, a story of love, loss and recovery composed entirely of septets (seven-line poems) written during a 12-month period from 2018-2019. During that fateful year,  my disabled wife Alice took her life. As her long-time husband and caregiver, I had to cope with her suicide and learn to reinvent myself. 

Dining on Salt is also an in-depth exploration of the septet form, with 20 of the 80 poems written in traditional forms and two well-researched appendixes that encapsulate the history and variety of seven-line forms.

Praise for Dining on Salt:

“Wayne Lee’s stunning and original new work, Dining on Salt: Four Seasons of Septets, is a full-length exploration of loss, using the septet poem (7-lines, including examples of 21 traditional septet forms) as a channel to his inspiration. The book begins with meditations on nature, companionship, aging and the environment, but abruptly becomes a memoir in verse about his wife’s sudden death. These are short exhalations of grief, but also of timelessness and beauty. He generously allows his words to evolve into a broader lament for the planet: birds become totems of consolation and connection. He writes from the edge of a koi pond: Some grief must be drowned in small words and soft sounds. Yet these evocative and insightful septets aren’t just gestures of bereavement, but ruminations on an uncertain future with its mutable landscapes and sudden joys. His poems reveal how Each of us is born one loss at a time.”
John Macker, author of Belated Mornings and Desert Threnody

“The 80 septets in Dining on Salt capture tender care for an ill spouse and her subsequent death. These are lines of grief and going on. Rather than feeling contained, each septet has space enough to widen into understanding.”
—Lauren Camp, New Mexico Poet Laureate and author of In Old Sky

 “Wayne Lee’s  Dining on Salt  is a powerful collection of elegiac, lyric septets. The poems map a journey through caregiving, loss, healing and renewal: “such a small task, so brief the work / to inhale the scent of the world / to savor it and let it go….” Potent with the concision and directness of haiku, Lee’s seven-line form is also expansive enough to carry the weight of grief.  His moving tribute to his late wife shows us a way of moving forward, day by day, poem by poem, toward healing, toward “a window thrown open / all the world blowing through.”
—Alicia Hokanson, author of Perishable World and Mapping the Distance 

“Stepping into Wayne Lee’s septets offers a breath of living. Any loss or regret or grief becomes a burnished gold.”  
—Hiram Larew, author of This Very Much 

“This collection is so exciting and rewarding! Wayne Lee gave himself to the discipline, demands and richness of the septet form, and he invites us to be equally inspired. The research Lee did is impressive, and his well-crafted poems provide insights into the joys and challenges of caregiving. I was deeply touched by his love and vulnerability, his spiritual practices, and his rich poetic sensibilities. This wonderful collection will touch the reader in unexpected ways.” 
—Mary McGinnis, author of See with Your Whole Body

“One of the remarkable septets in Dining on Salt opens on a simple moment: We share this quiet morning space / in peace, the sleeping cat and I.  Images of morning light follow—the cobalt vase, / the purple buds that look a bit like / lilacs, my blue-veined hand—and then this: All I ask is to see, / to breathe inside this mystery. Here, in eighty poems of seven lines each, Wayne Lee’s request is granted. He sees into the mystery of grief and the heartbreak of loss, and shares these shimmering moments with us.”
—David Meischen, author of Caliche Road Poems

Buddha’s Cat: Poems

(Whistle Lake Press, 2024)

If there has ever been a beloved animal in your life, this is the book for you.

Homo sapiens have lived with canines and felines for millennia. In Buddha’s Cat, poet Wayne Lee explores our relationship with both domesticated companions and wild species such as wolves, foxes, coyotes and panthers. Ranging from tender to tragic, funny to ferocious, these poems include paeans to beloved pets, elegies for victims of cruelty and encroachment, and four-legged metaphors for human behavior. You’ll laugh at Beach Dog, George and Caliban, grieve for Rusty, Buster and Morgan, and marvel at Lobo and Dakota. Buddha’s Cat will entertain, instruct and connect you to the “wild heart” beating in your savage breast.

Praise for Buddha’s Cat:

 Buddha’s Cat is the best of bestiaries, an inspiring collection of cats, dogs and their feral counterparts. Lee treats them all with tenderness, affection and occasional humor. There is loss here, but also gratitude for the lives of animals and humans alike. If there has ever been a beloved animal in your life, this is the book for you.”
    —Bruce Parker, author of Ramadan in Summer 

“Wayne Lee’s latest book is not a cuddly collection. It is fierce. You will learn from it to see animals in new ways. And perchance find yourself stepping with a more measured gait.”  
—John Roche, author of Tubbables

Buddha’s Cat is a delight to read. It is obvious in reading these charming poems that Lee has taken the teachings of Buddha to heart. He takes the love of animals and returns it ten-fold. These poems are a rare treat in which to find enjoyment in life.” 
—Lenora Rain-Lee Good, author-poet of The Bride’s Gate and Other Assorted Writings

Googling a Present Participle: Poems, Prose Poems, Bogus Monologues & Fraudulent Artifacts

(Kelsay Books, 2015)

In these pages, you’ll find such unlikely creations as an artist’s statement for an illiterate Alabama redneck, a docent talk by a clueless Valley girl, an obituary for Mr. Potato Head, a toothpaste ad for Uncle Tom’s of Maine, an intentionally bad translation of an Elizabeth Bishop poem, an ode to asparagus pee and other boundary-stretching poems, prose poems, parodies, satires and sendups. To quote Hunter S. Thompson, these pieces are “dangerous lunacy,” but also “the kind of thing a real connoisseur of edgework could make an argument for.”

As the title implies, though, Googling a Present Participle is about more than humor and wordplay. These deftly crafted pieces explore the many ways technology affects our lives. They look at how media—film, television, print and electronic—impact us on a daily basis. They examine the interrelationship between writing, music, theatre and the other arts. And they tackle head-on such sticky issues as cultural elitism, racial stereotypes, class warfare and, above all, political correctness.

Praise for Googling a Present Participle:

“The most politically incorrect book I’ve ever published.”
—Aldrich Press publisher Karen Kelsay

“Lee is an irreverent cross between Tom Wolfe and Billy Collins.”
—Poet Bart Baxter, Hart Crane Award winner and author of A Man, Ostensibly

“Lee obliterates the boundaries of good and bad taste and blends them into an unforgettable, humorous, post-post-modern smoothie. Inventive, insightful, original, delightful, dreadful, uproarious and ingenious…imagine the dark side of ‘Saturday Night Live’ meeting the Merry Pranksters on a good trip. Googling a Present Participle is a zany, wicked-sharp, wild-ride satire of life in America.”
—Stephen Roxborough, author of The Wonderful Perpetual Beautiful

“Lee’s tightly calibrated poems wring use out of language like water from a sponge.”
—The Santa Fe New Mexican

“Lee is the tenderest, most irreverent, funniest poet I’ve ever read or heard read. Imagine Rabelais on steroids let loose in the techno age. Go buy this book and read it out loud to someone you adore.” 
—Gary Worth Moody, author of Occoquan and The Burnings

The Underside of Light

(Aldrich Press, 2013)

Generosity of spirit. Emotional honesty. Meticulous craftsmanship. An ear for the music of language and an eye for the telling detail. These phrases come to mind reading The Underside of Light, the third collection of poems by Santa Fe poet Wayne Lee (wayneleepoet.com). Whether bringing to life a Russian Mennonite, a Norwegian fisherman, a young cancer survivor, an Iraqi oud player, a self-effacing waitress or a Navajo sheepherder, Lee populates his pages with vulnerable yet courageous characters—including himself—facing enormous, life-altering obstacles. Like them, the reader emerges stronger and wiser for the journey.

Praise for The Underside of Light:

 “In the opening poem in his new collection, The Underside of Light, Wayne Lee asks for an ‘ordinary deckhand’s soul.’ With this benediction in mind, it’s clear Lee understands the value and hard-won grace of the ordinary. Throughout this book, its speaker directs the reader to ‘be present.’ It’s good advice and a great pleasure when reading these lovely, disciplined poems.”
—Erin Belieu, Co-founder, VIDA: Women In Literary Arts, and Artistic Director, Port Townsend Writers Conference

“Wayne Lee’s collection of poems, The Underside of Light, is, as he says, ‘a necessary piece of spring.’ This fresh writing ranges widely in style and subject matter, but the poems are always generous-spirited and clear, evincing empathy for the underdog and the trod-upon. At the same time, Lee’s stance is always open to epiphany, especially as he relates to the natural world. The poems practice lingering in the present, with language that is crisp and sensuous. They reveal the damage of war, illness, and abandonment, even as they celebrate flickers, calla lilies, and grandchildren.”
—Donald Levering, NEA Fellowship Grant recipient and author of The Number of Names and Whose Body

“In The Underside of Light, Wayne Lee proves himself the poet with a relentless eye on the world—even prying up light to see what’s underneath. ‘Be aware … Be alert … Be present,’ he tells us. Lee paints vivid pictures that are poetic enough to dazzle us, and honest enough to remind us: ‘that life makes perfect sense / over cold beer by the side of the road.’
—Nathan Brown, Poet Laureate of Oklahoma 2013/2014 and author of Karma Crisis: New and Selected Poems

“I cannot tell you when I’ve read a collection of poems that moved me as much as this one. Lee’s poetry is witty, sometimes laughter-provoking, and always marked by a generous humanity. The Underside of Light reminds us that compassion still exists.” 
—Elizabeth Raby, author of Ink on Snow, This Woman and Ransomed Voices

Poems Online:

“Survivor, ”Abandoned Mine 

“Shimmer,” “On the Floor of the Sky,” “The Clearing,” The Wild Word 

She Weaves the World,” long con magazine

What a Wonderful World,” Discretionary Love

Esme,” “Patina,” Heimat Review

Last Stanza Poetry Journal (order  here), “An Exact Copy of Jesus,” 

“Minor Deities,” “A Word from Grandmother” and “A Bit Like Lilacs,” Leaping Clear

“Made of Air,” Kahini Quarterly

“Shift Work,” Work Zine

“Acceptance Speech,” Winning Writers

“Calpurnia’s Paranoia,” “Arnold Decides to Sell His Hummer,” and “I Know a Dog Who Thinks He is a Man,” Society of Classical Poets

“Song for Rahim Alhaj,” Malala: Poems for Malala Yousafzai

“Seed Pot” & “Years That Ask Questions,” Society of Classical Poets

“Garden Shed,” Sliver of Stone

“Breast Reduction,” Santa Fe Literary Review

“Psalm 656,” Telluride Arts (Winner 2012 Mark Fischer Poetry Prize)

“Greased Pig,” Borderline

“Jaguar Spotted in Hidalgo County,” The Santa Fe Reporter

“Testimony,” Mobius (Nominated for Best of the Net award)

“Rope Swing,” The ManKind Project  Journal

“Punchline,” Poemeleon

“His Braids, Quill & Parchment

“In the Basement of the New Yorker Hotel,” The Camel Saloon

“Reptilian Mind,” The Camel Saloon

(Nominated for Best of the Net award)

“Ghost Ranch, Midnight,” 200 New Mexico Poems

“The Mother of the Bride Sleeps In,” “Ten Koans from a Marriage,” and “Two Cats,” Quill & Parchment

“High Mountain Monsoon” Quill & Parchment

Two haiku, Adventum Magazine

“My bicycle chain,” Haiku Roadsign Project

“Ordinary Deckhand,” Lowestoft Chronicle (Nominated for 2011 Pushcart Prize)

“The Fortieth Day,” Voices Israel

“the one with violets in her lap,” Tupelo Press “Moonlight Sonata,” Blue Mountain Arts

 

  Interviews and Podcasts:  

Interview on Beyond the Cover: Exploring Passions

Interview on KSFR’s “The Last Word,” May 23, 2024 

I was interviewed on May 23 by KSFR-FM‘s Carly Newfeld on her excellent weekly show, “The Last Word.” I  read from and discussed my new chapbook, Buddha’s Cat. Here’s a link to the interview.

Two Interviews on KSFR’s “The Last Word” 

I had the great pleasure of being interviewed by KSFR-FM’s Carly Newfeld, host of the weekly show, “The Last Word.” It aired on Jan. 12, 2023. Here’s the link. Carly’s a wonderful interviewer and we had a rich conversation. The interview is posted on the show’s archives, which include interviews with scores of terrific writers. 

Here’s the link to the Oct. 7, 2021 “The Last Word” interview.

“This is one of the best of your programs Carly. It was wonderful, really flowed from beginning to end. Wayne is a beautiful poet; why is he not known as well as Mary Oliver, and hundreds of others? Perhaps because he doesn’t pursue the limelight so aggressively like others do. I can tell he’s a gentle soul. So sorry to hear about his beautiful wife Alice. I will look at his website and see when his poetry workshops happen.”

     –Sarah Newfeld-Green​

​Watch my Chatter Sunday reading from Sept. 23, 2012 in Albuquerque on YouTube

(“We loved you and your unexpected, deadpan quirkiness. 

​You are a delight and we would love to have you back.”)